Overall messages/tensions:
- deep-rooted ‘spiritual’, sufi and also progressive art ‘feminine’ side (even lorry drivers I met in the 70s could recite poetry and the Shah and his father implemented social reforms eg in position of women) which became linked to corruption of the elite class
- the very conservative male domination of the mullahs that took over with a promise to address poverty, stamp out corruption and provide a strong moral government
- schizophrenia of the shah living in a fairy world of the past and imposing it with torture and repression that is intensified now under the Islamic Revolution (though currently – temporarily?? – relaxing somewhat after the nuclear deal)
Colours: like Isfahan and other mosques: deep blue, turquoise, gold and light purple
Shape dynamics: wavy, swirly Arabesques overlaid by vertical bars and shadowy figures in the dark
Materials: juxtaposing Gouache miniatures (maybe on top of photos) and transparency slides as whitewash/overlay hiding what is underneath
Allies:
- Shah
- Empress Farah (shah’s last and favourite wife)
- Princess Ashraf (shah’s twin sister)
- Mr Hoveyda (former Prime Minister)
- General Fardoust (SAVAK)
- Khomeini (to lead Revolution)
- Kianpour (Social Affairs Minister)
- Mahnaz Afkhani (professional woman)
- Eslamzadeh (Health Minister)
Iran_background pdf